Future Performances
2 December 2022 – 4 Pieces of Music Lasting 30 Seconds Each. Performed by Judith Gordon. Chatter, 912 3rd St NW, Albuquerque, New Mexico, USA. Info.
Past Performances
2022
27 September 2022 – Amaechi (with Michael Wolters). Film launch of Commonwealth Games performance. The Bradshaw Hall, Royal Birmingham Conservatoire, Birmingham. Info.
30 & 31 July 2022 – Amaechi (with Michael Wolters). Performed by Seán Clancy, Lucy Buxton, Gem Salmon, Joshua Okpoti Nai, Adrian Nembhard, Aidan Hammond, Tom Bennett, Andrew Woolcock, Eva Laverty, Gina Baker, Gina McDonald, Francesca Fargion, Helsa Townsend. Commonwealth Games Festival Site, Birmingham (Commissioned by Commonwealth Games 2022, and supported by Arts Council England and The National Lottery Heritage Fund). Info
30 June 2022 – Solo Performance, a performance accompanying Two Trees video instillation by Phil Maguire. Performed by Seán Clancy. 100 Years Gallery, London.
18 June 2022 – au milieu d’un demi. Performed by Katalin Koltai. Centre Culturel Irlandais, Paris (as part of 100 year celebrations of James Joyce’s Ulysses). Info
15 June 2022 – au milieu d’un demi. Performed by Katalin Koltai. Budapest Music Centre, Budapest (as part of 100 year celebrations of James Joyce’s Ulysses). Info
19 March 2022 – Solo Performance. Performed by Seán Clancy. Kirkos Unit 44, Dublin.
3 March 2022 – There was a Telephone. performed by James Larter. Crypt on the Green, London. (Commissioned by Listen Pony). Info
25 January 2022 – Two Lines and a Chord. Performed by Jianhao Zhou. Royal Academy of Music, London. (Commissioned for the bicentenary of the Royal Academy of Music). Info
2021
14 August 2021 – This is About (an Intervention). Performed by Seán Clancy & Andy Ingamells. Also with interventions provided by Francesca Fargion and Anna Palmer. The Guesthouse, Cork. (and livestreamed by Centrala, Birmingham) (Supported by PRSF Beyond Borders).
17 June 2021 – Sixty Minutes of Music for Synthesizers and Images. Performed by Seán Clancy & Andy Ingamells. A performance of student works from Royal Birmingham Conservatoire. Livestream online.
2020
6 September 2020 – This is About. Performed by Seán Clancy and Andy Ingamells, Sandymount Strand, Dublin (supported by PRSF Beyond Borders). Info
19 June 2020 – Antonio Guillem. Performed by Seán Clancy and Andy Ingamells, Online (Zoom).
4 March 2020 – This is About. Performed by Seán Clancy and Andy Ingamells, Volcano Theatre, Swansea (supported by PRSF Beyond Borders).
2019
20 September 2019 – nowhere better than this place. Performed by Seán Clancy and Andy Ingamells, Contemporary Music Centre, Dublin. (As part of Culture Night 2019)
18 September 2019 – Four Pieces of Music Lasting Thirty Seconds Each. Performed by Kate Ledger, The Stained Glass Centre, York.
17 June 2019 – 40 Chromogenic Colour Prints, performed by Shannon Simon, Trinity Laban Conservatoire of Music and Dance, London.
2 May 2019 – This is About. Performed by Seán Clancy and Andy Ingamells, Royal Birmingham Conservatoire Recital Hall, Birmingham.
30 April 2019 – Braided Sound (Jesse Pearlstein). Performed by Jesse Pearlstein, Seán Clancy, Khyam Allami, Sarah Farmer, Sam Underwood, and Gloria Yehilevsky, Centrala, Birmingham.
2018
6 December 2018 – ireland england. Performed by Seán Clancy, The Arches, Southampton. (Supported by Culture Ireland GB18)
3 November 2018 – Salt Interventions. Performed by Katie Kim and Crash Ensemble, National Concert Hall, Dublin.
17 October 2018 – ireland england. Performed by Seán Clancy, R10, Leicester. (Supported by Culture Ireland GB18)
16 October 2018 – ireland england and Howard Skempton Edwin Roxburgh. Performed by Seán Clancy, City University, London. (Supported by Culture Ireland GB18)
27 June 2018 – Four Sections of Music Unequally Divided. Performed by Seán Clancy, the Lab, Royal Birmingham Conservatoire, Birmingham.
22 June 2018 – A Line Repeats Differently Every Time. Performed by Seán Clancy, the Lab, Royal Birmingham Conservatoire, Birmingham.
18 May 2018 – ireland england. Performed by Seán Clancy, Centrala, Birmingham. (Supported by Culture Ireland GB18)
10 May 2018 – ireland england. Performed by Seán Clancy, the Rose Hill, Brighton. (Supported by Culture Ireland GB18)
20 April 2018 – Michael Oesterle. Performed by Orkest de Ereprijs & Thallein, conducted by Daniele Rosina, Royal Birmingham Conservatoire Bradshaw Hall, Birmingham.
24 February 2018 – Pauline Oliveros Jenny Holzer and Live set with Oilbag. Performed by Seán Clancy, Moustache Bar, Dalston, London.
23 February 2018 – Pauline Oliveros Jenny Holzer, and Morton Feldman Philip Guston. Performed by Seán Clancy, Centrala, Birmingham.
2017
24 November 2017 – Eleven Lines of Music Slow Down and Eventually Stop. Performed by Crash Ensemble, National Concert Hall, Dublin.
12 July 2017 – Eleven Lines of Music Slow Down and Eventually Stop. Performed by Crash Ensemble, Carrick-on-Shannon Water Music Festival, Co Leitrim.
23 June 2017 – Salt Interventions. Performed by Katie Kim and Crash Ensemble, Body and Soul Festival, Ballinlough Castle Clonmellon
Co.Westmeath.
20 June 2017 – Twenty-Six Minutes of Music on the Subject of Coming & Going. Performed by Seán Clancy and Simon Goff, Recital Hall, Birmingham Conservatoire.
19 June 2017 – Blanco Slows Down and Eventually Stops. Performed by Daniel Blanco Albert, Recital Hall, Birmingham Conservatoire.
6 May 2017 – Neue Kraft Fühlend. Performed by Manon Quartet, St James’s Church, Islington, London.
12 April 2017 – Seven Lines of Music Slow Down and Eventually Stop. Performed by Workers Union Ensemble, conducted by Ben Oliver. The Victoria, Dalston, London.
11 April 2017 – Seven Lines of Music Slow Down and Eventually Stop. Performed by Workers Union Ensemble, conducted by Ben Oliver. The Arches, Southampton.
8 April 2017 – Salt Interventions. Performed by Katie Kim and Crash Ensemble, the Grand Social, Dublin.
30 March 2017 – Schematics Book I. Performed by Seán Clancy, Centrala Art Gallery, Birmingham.
26 March 2017 – Four Lines of Music Slow Down and Eventually Stop.Performed by ConTempo Quartet, National Concert Hall, Dublin.
23 March 2017 – Four Lines of Music Slow Down and Eventually Stop.Performed by ConTempo Quartet, Triskel, Cork.
19 March 2017 – Four Lines of Music Slow Down and Eventually Stop.Performed by ConTempo Quartet, St Mary’s Cathedral, Kilkenny.
16 March 2017 – Four Lines of Music Slow Down and Eventually Stop. Performed by ConTempo Quartet, City Gallery, Limerick.
4 March 2017 – Four Lines of Music Slow Down and Eventually Stop. Performed by ConTempo Quartet, National Concert Hall, Dublin.
2016
18 November 2016 – Five to Forty Seconds. Performed by Lieva Starker and Eric McElroy, CBSO Centre, Birmingham.
1 November 2016 – Forty-Five Minutes of Music on the Subject of Football. Performed by Ensemble Krock, Värmdö Culture School, Gustavsberg.
18 October 2016 – Six Minutes of Music Created from Sounds Around My Home. Instillation at AumentAzioni Festival, Salerno.
1 October 2016 – Six Minutes of Music Created from Sounds Around My Home. Instillation at Bandon Engage Festival, Bandon, co Cork.
30 September 2016 – Salt Interventions. Performed by Katie Kim and Crash Ensemble, The Court House, Bandon, co Cork.
24 September 2016 – Neue Kraft Fühlend. Performed by Contempo Quartet, Composing the Island Festival, National Concert Hall, Dublin.
25 May 2016 – Five Lines of Music Slow Down and Eventually Stop. Performed by Thallein Ensemble, conducted by Dan Rosina, Beijing Modern Music Festival, Central Conservatory, Beijing.
23 May 2016 – Five Lines of Music Slow Down and Eventually Stop. Performed by Thallein Ensemble, conducted by Dan Rosina, Tianjin Conservatory, Tianjin.
26 April 2016 – Changing Rates of Change. Performed by RTÉ NSO, conducted by Gavin Maloney, National Concert Hall, Dublin.
16 April 2016 – Seven Lines of Music Slow Down and Eventually Stop. Performed by Workers Union Ensemble conducted by Ben Oliver, The Warehouse, London.
13 April 2016 – Thirteen Minutes of Music on the Subject of the Transformation of Things. Performed by R. Andrew Lee, Regis University, Colorado.
12 April 2016 – Fourteen Minutes of Music on the Subject of Greeting Cards. Performed by Ensemble Neon, Mata Festival, Scandinavia House, New York.
18 March 2016 – Five Lines of Music Slow Down and Eventually Stop. Performed by Thallein Ensemble conducted by Richard Baker. Adrian Boult Hall, Birmingham Conservatoire, Birmingham.
9 March 2016 – Six Lines of Music for Seven Players. Performed by Birmingham Conservatoire Gamelan Ensemble, Arena Foyer, Birmingham Conservatoire, Birmingham.
27 February 2016 – Three Lines of Music on the Subject of Sitting. Performed by Kate Ellis, James Joyce Centre, Dublin.
2015
5 November 2015 – Three Minutes of music and Five Minutes of Music on the Subject of Noszferatu. Performed by Students of the Royal College of Music, conducted by Darragh Morgan, Royal College of Music, London.
4 November 2015 – Five to Forty Seconds. Performed by Darragh Morgan and Mary Dullea, Austrian Cultural Forum, London.
12 October 2015 – Six Minutes of Music Created from Sounds Around My Home. Performed by Seán Clancy, Recital Hall, Birmingham Conservatoire, Birmingham.
18 September 2015 – Improvised set with Thomas Parkes for Culture Night 2015. Performed by Seán Clancy and Thomas Parkes, Contemporary Music Centre, Dublin.
18 June 2015 – Twenty-One Minutes of Music. Performed by Seán Clancy and Thomas Parkes, Moog Soundlab, Birmingham.
26 March 2015 – Four Pieces of Music Lasting Thirty Seconds Each. Performed by Xenia Pestova-Bennett, Recital Hall, Birmingham Conservatoire, Birmingham.
25 March 2015 – I See Now Why People Hide. Performed by Leeds New Music Collective, conducted by Damien Harron, Leeds College of Music, Leeds.
7 March 2015 – Fourteen Minutes of Music on the Subject of Greeting Cards. Performed by Crash Ensemble, National Concert Hall, Dublin.
2014
7 December, 2014 – Forty-Five Minutes of Music on the Subject of Football. Performed by Ensemble Krock, Fylkingen, Stockholm.
19 November 2014 – Ten Minutes of Music on the Subject of Furniture. Performed by David Adams, Project Arts Centre, Dublin.
6 October 2014 – Fourteen Minutes of Music on the Subject of Greeting Cards. Performed by Octandre Ensemble, Little Missenden Church, Little Missenden Festival.
23 August 2014 – Strange to See You Again. Performed by Thumb, Greenbelt Festival, Boughton House, Kettering, Northamptonshire.
11 July 2014 – Forty-Five Minutes of Music on the Subject of Football. Performed by Ensemble Krock, National Concert Hall, Dublin.
3 June 2014 – Forty-Five Minutes of Music on the Subject of Football. Performed by Ensemble Krock, Recital Hall, Birmingham Conservatoire, Birmingham.
28 May 2014 – Thirteen Minutes of Music on the Subject of the Transformation of Things. Performed by Matthew Schellhorn, National Concert Hall, Dublin.
17 April 2014 – Fourteen Minutes of Music on the Subject of Greeting Cards. Performed by Crash Ensemble, Project Arts Centre, Dublin.
9 April 2014 – Five Minutes of Music on the Subject of Noszferatu. Performed by Noszferatu, @Wednesdays at the Forge, The Forge, London.
4 April 2014 – One and a Half Minutes of Music on the Subject of Howard Skempton. Performed by Howard Skempton, Recital Hall, Birmingham Conservatoire, Birmingham.
30 March 2014 – Thirteen Minutes of Music on the Subject of the Transformation of Things. Performed by Vicky Bonham, Recital Hall, Birmingham Conservatoire, Birmingham.
4 February 2014 – Ten Minutes of Music on The Subject of IKEA and Changing Rates of Change. Performed by RTÉ NSO conducted by Gavin Maloney, National Concert Hall, Dublin.
2013
24 November 2013 – Neue Kraft Fühlend. Performed by Bozzini Quartet, Huddersfield Town Hall, Huddersfield Contemporary Music Festival.
9 November 2013 – Three Minutes of Music. Performed by Workers Union Ensemble conducted by Ben Oliver, LSO St Lukes, London.
29 October 2013 – Three Minutes of Music. Performed by Workers Union Ensemble conducted by Ben Oliver, Recital Hall, Birmingham Conservatoire, Birmingham.
13 October 2013 – Fourteen Minutes of Music on the Subject of Greeting Cards. Performed by Sara Minelli, Aisha Orazbayeva, and Matthew Schellhorn, Little Missenden Church, Little Missenden.
4 September 2013 – Three Minutes of Music. Performed by Workers Union Ensemble conducted by Ben Oliver, @NonClassical, The Shacklewell Arms, London.
27 April 2013 – Neue Kraft Fühlend. Performed by Quatuor Bozzini, Chapelle historique du Bon-Pasteur, Montréal.
12 March 2013 – I See Now Why People Hide. Performed by Decibel conducted by Dan Rosina, Recital Hall, Birmingham Conservatoire, Birmingham.
11 March 2013 – I See Now Why People Hide. Performed by Decibel conducted by Dan Rosina, Kings Place, London.
10 March 2013 – Strange to See You Again. Performed by BCMG and Thumb conducted by Dan Watson, CBSO Centre, Birmingham.
8 January 2013 – Findetotenlieder. Performed by Thumb, Conducted by Dan Watson, Recital Hall, Birmingham Conservatoire, Birmingham.
2012
30 April 2012 – Changing Rates of Change. Performed by RTÉ NSO conducted by Gavin Maloney, National Concert Hall, Dublin.
22 March 2012 – I See Now Why People Hide. Performed by Decibel conducted by Dan Rosina, Recital Hall, Birmingham Conservatoire, Birmingham.
12 March 2012 – White Paintings. Performed by Toy Sound Circus conducted by Dan Watson, Recital Hall, Birmingham Conservatoire, Birmingham.
3 February 2012 – Findetotenlieder. Performed by Susan Narucki and BCMG conducted by Clement Power, CBSO Centre, Birmingham.
2011
12 December 2011 – Au Milieu d’ un demi. Performed by Paul Norman, Birmingham Conservatoire, Birmingham.
5 November 2011 – 40 Chromogenic Colour Prints. Performed by Hannah Davey and Paul Norman, Purcell Room, Southbank Centre, London.
26 August 2011 – Lullaby (for Howard Skempton) (Music by Numbers IV). Performed by Daniel Pioro, Eniko Magyar, Zoe Martlew, Noriko Kawai, Great Hall, Dartington.
16 July 2011 – Ursatz (Music by Numbers II). Performed by Ciaran Crilly, Hilltown Music Festival, Castlepollard, Westmeath.
23 June 2011 – 40 Chromogenic Colour Prints. Performed by Hannah Davey and Paul Norman, Recital Hall, Birmingham Conservatoire, Birmingham.
22 June 2011 – 40 Chromogenic Colour Prints. Performed by Hannah Davey and Paul Norman, The Forge, Camden, London.
May – August 2011 – Das Lied Von Anderen. (Performed by Rosie Secker and Thallein Ensemble), installation in St Patrick’s park to launch Dublin’s UNESCO City of Literature status.
7 April 2011 – I See Now Why People Hide. Performed by Decibel conducted by Dan Rosina, Recital Hall, Birmingham Conservatoire, Birmingham.
1 April 2011 – Basso Continuo. Performed by Crash Ensemble conducted by Gavin Maloney, Irish Museum of Modern Art, Dublin.
25 March 2011 – Rückstände. Performed by Julian Warburton, Yardley Old Church, Birmingham.
24 March 2011 – Rückstände. Performed by Julian Warburton, Ninestiles School, Birmingham.
18 March 2011 – Stabat Mater. Performed by Hannah Davey, Jack McNeill, Paul Norman, Sebastiano Dessanay, Birmingham Cathedral, Birmingham.
2 February 2011 – Stabat Mater. Performed by Hannah Davey, Jack McNeill, Paul Norman, Sebastiano Dessanay, Royal College of Music, Stockholm.
31 January 2011 – Stabat Mater. Performed by Hannah Davey, Jack McNeill, Paul Norman, Sebastiano Dessanay, Recital Hall, Birmingham Conservatoire, Birmingham.
2010
21 June 2010 – Das Lied Von Anderen. Performed by Rosie Secker and Thallein Ensemble, and Ursatz, Performed by Joe Cutler Recital Hall, Birmingham Conservatoire, Birmingham.
8 March 2010 – Rückkoppelung (Music by Numbers III). Performed by Darragh Morgan and Mary Dullea, Recital Hall, Birmingham Conservatoire, Birmingham.
8 February 2010 – Ursatz. Performed by Garth Knox, Recital Hall, Birmingham Conservatoire, Birmingham.
19 February 2010 – Irreversible. Performed by Orkest de ereprijs @ Young Composers Meeting, Gigant, Apeldoorn.
2009
17 November 2009 – Legal Issues (Music by Numbers I). Performed by Schubert Ensemble, Birmingham Conservatoire, Birmingham.
2008
27 November 2008 – Whisper, Whisper, Whisper. Performed by Crash Ensemble conducted by Alan Pierson, O Reilly Theatre, Dublin.
2007
16 December 2007 – The Shrivelling of the Aura With an Artificial Build Up (Not to be Reproduced). Performed by Dublin Guitar Quartet, Printing House, Dublin.
14 May 2007 – Neither the Lion nor the Man with the Folded Wings Have any Business being on this Bridge. Performed by Steve Potter, St. David’s Room, Kings College London.
4 March 2007 – Whisper, Whisper, Whisper, Performed by Lontano, conducted by Odaline de la Martinez, Great Hall, Kings College London.
SEÁN CLANCY 