SOLO

There was a Telephone (2022) 8 minutes. Percussion.
First Performance: 3 March 2022, Crypt on the Green, London, UK.
(James Larter)

Two Lines and a Chord (2022) 9 minutes. Guitar.
First Performance: 25 January 2022, Royal Academy of Music, London, UK.
(Jianhao Zhou).

Three Lines of Music on the Subject of Sitting (2016) 4 minutes. Cello.
First Performance: 27 February 2016, James Joyce Centre, Dublin, Ireland.
(Kate Ellis).

Four Pieces of Music Lasting Thirty Seconds Each (2015) 2 minutes. Toy piano.
First Performance: 26 March 2015, Recital Hall, Birmingham Conservatoire, Birmingham, UK.
(Xenia Pestova).

Seán Clancy on this recording

Seven Minutes of Music on the Subject of Simulacra (2015) 7 minutes. Violin.
Appears on Roberto Alonso Trillo …correspondences…  release TBC.
(Roberto Alonso Trillo).

Ten Minutes of Music on the Subject of Furniture (2014) 10 minutes. Piano and piano playback.
First Performance: 19 November, 2014, Project Arts Centre, Dublin, Ireland.
(David Adams).

Seán Clancy on this recording

One and a Half Minutes of Music on the Subject of Howard Skempton (2014) 1 minute 30 seconds. Accordion. 
First Performance: 4 April 2014, Recital Hall, Birmingham Conservatoire, Birmingham, UK.
(Howard Skempton).

Thirteen Minutes of Music on the Subject of the Transformation of Things (2014) 13 minutes. Piano.
First Performance: 30 March 2014, Recital Hall, Birmingham Conservatoire, Birmingham, UK.
(Vicky Bonham).

Au Milieu d’ un demi (2011) 9 minutes. Guitar.
First Performance: 12 December 2011, Birmingham Conservatoire, Birmingham, UK.
(Paul Norman).

Rückstände (2011) 5 minutes. Marimba.
First Performance: 24 March 2011, Ninestiles School, Birmingham, UK.
(Julian Warburton).

Ursatz (Music by Numbers II) (2010) 3 minutes. Viola.
First Performance: 8 February 2010 Recital Hall, Birmingham Conservatoire, Birmingham, UK.
(Garth Knox).

Neither the Lion nor the Man with the Folded Wings Have any Business being on this Bridge (2007) 9 minutes. Piano.
First Performance: 14 May 2007, St. David’s Room, Kings College London, London, UK. (Steve Potter).